Liam Gillick

 

Selected Works
Biography
Exhibitions

 

www.liamgillick.info

BIOGRAPHY

Born 1964, Aylesbury, U.K.
Lives and works in London and New York.

Education
1983-84 Hertfordshire College of Art
1984-87 Goldsmiths College, University of London, B.A. (Hons.)

Awards
1998 Paul Cassirer Kunstpreis, Berlin
2002 Turner Prize Nomination, Tate, London
2008 Vincent Award Nomination, Stedelijk Museum, Amsterdam

 

Selected Solo Exhibitions

2017
Galerie Meyer Kainer, Vienna

2016
What’s What in a Mirror, Dublin City Gallery, Hugh Lane, Dublin
Campaign, Serralves Museum of Contemporary Art, Porto
Phantom Structures, Casey Kaplan, New York
The Red Wood Pigeon Meets Some Meetings, Air de Paris, Paris
Stardust Expressions, Taro Nasu, Tokyo

2015
Liam Gillick 1 Rue Gabriel Tarde, Sarlat-La-Canda, Dordogne, Galerie Micheline Szwajcer, Brussels
All-Intimate-Act, Stdelijk Museum and Holland Festival, Amsterdam
Alfonso Artiaco, Naples
Liam Gillick, Australian Fine Arts, Brisbane
Liam Gillick: The Thought Style Meets the Thought Collecitve, Maureen Paley, London

2014
From 199C to 199D, Magasin Centre national d'art contemporaine, Grenoble
Revenons à nos moutons, Esther Schipper, Berlin
Complete Bin Development, Hans Mayer, Düsseldorf

2013
Five Structures and a Shanty, Gallery IHN, Seoul.
For the doors that are welded shut, Kerlin Gallery, Dublin.

2012
Scorpion or Felix, Galerie Eva Presenhuber, Zurich.
Agreements, McNamara and Lead Times,Taro Nasu, Tokyo.
Scorpion and und et Felix, Casey Kaplan New York.
From 199A to 199B:Liam Gillick, Hessel Museum of Art, Bard College, New York.
Margin Time, Maureen Paley, London.
Four Propositions Six Structures, Alfonso Artiaco, Naples.

2011
A game of war Structure, IMMA,Dublin.
Sit in the machine, Air de Paris, Paris.
Sit on the machine, Micheline Szwajcer, Antwerp.

2010
Everything Good Goes, Galerie Meyer Kainer, Vienna
Discussion Bench Platforms/A‚ Volvo’ Bar+ Everthing Good Goes, Casey Kaplan, New York
Seven Structures and a large vodka soda, Kerlin Gallery. Dublin
Ein langer Spaziergang...Zwei kurze Stege...* (One long walk...two short piers), Kunst- und Ausstellungshalle der Bundesrepublik, Bonn
1848!!!,Esther Schipper, Berlin

2009
How will you behave: A kitchen cat speaks, German Pavillion, Venice Biennale.
Three Perspectives and a Short Scenario, Museum of Contemporary Art, Chicago.
Executive 2 litre GXL, MAK, Vienna.
Wall diagrams from the 1990s and early 2000s, House of Art, Budweis.
Two Short Plays, Eastside Projects, Birmingham.

2008
Three Perspectives and a Short Scenario, Witte de With, Rotterdam.
Three Perspectives and a Short Scenario, Kunsthalle, Zurich.
The State Itself Becomes a Super Whatnot, Casey Kaplan, New York.
Three Perspectives and a Short Scenario, Kunstverein, Munich.

2007
Weekend in So Show, The Lab, Belmar.
The commune itself becomes a super state, Corvi–Mora, London.
The state/commune itself becomes a super state/commune, Micheline Szwajcer, Antwerp.

2006
We are Medi(evil), Angela Bulloch and Liam Gillick, Cubitt, London.
Briannnnnn & Ferryyyyyy, Liam Gillick and Philippe Parreno, Kunsthalle Zurich.
Literally Based on HZ, Kerlin Gallery, Dublin.
The State itself becomes a super commune, Esther Schipper, Berlin.

2005
222nd Floor, Eva Presenhuber, Zurich.
A short essay on the possibility of an economy of equivalence, Palais de Tokyo, Paris.
Another 2004 Again, Baltimore Museum of Art.
Presentism, Corvi–Mora, London.
Factories in the snow, Meyer Kainer, Vienna.
McNamara Motel, CAC Malaga, Spain.
A short essay on the possibility of an economy of equivalence, Casa Encendida, Madrid.
As you approach the edge of town the lights are no softer than they were in the centre, Casey Kaplan, New York.

2004
Construccion de Uno, Javier Lopez, Madrid.
A Group of People, Air de Paris, Paris.
Liam Gillick, Aspen Art Museum, Aspen.
Övningskrning (Driving Practice), Milwaukee Art Museum.
Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp.

2003
Hills and Trays and..., Schipper & Krome, Berlin.
...Punctuated Everydays, Max Hetzler, Berlin.
Por Favor Gracias de Nada (with Gabriel Kuri), Kurimanzutto, Mexico City.
Exterior Days, Casey Kaplan, New York.
Communes, Bars and Greenrooms, The Powerplant, Toronto.
Projects 79: Literally, Museum of Modern Art, New York.
A Film, A Clip and a Documentary, (with Sean Dack), Corvi–Mora, London.

2002
The Wood Way, The Whitechapel Gallery, London.
Light Technique, Galerie Meyer Kainer, Vienna.
Liam Gillick, Rüdiger Schöttle, Munich.

2001
Firststepcousinbarprize, Hauser & Wirth & Presenhuber, Zurich.
Liam Gillick, Javier Lopez, Madrid.
Liam Gillick, Corvi–Mora, London.
Annlee You Proposes, Tate Britain, London.
Dedalic Convention, Salzburg Kunstverein.

2000
Applied Complex Screen, Hayward Gallery, London.
Liam Gillick, Galleri Charlotte Lund, Stockholm.
Liamm Gilllick, Schipper & Krome, Berlin.
Consultation Filter, Westfälischer Kunstverein, Münster.
Schmerz in Einem Gebäude, Fig 1, London.
Woody, CCA Kitakyshu.
Literally No Place, Air de Paris, Paris.
Renovation Filter, Recent Past and Near Future, Arnolfini, Bristol.
Liam Gillick, Casey Kaplan, New York.

 

Selected Group Exhibitions

2017
Variable Dimensions, Museum of Art, Architecture and Technology (MAAT), Lisbon
Elbphilharmonie Revisited, Deichtorhallen Hamburg, Hamburg

2016
Dreamlands: Immersive Cinema and Art, 1905-2016, The Whitney Museum, New York
Wall to Wall: Carpets by Artists, Museum of Contemporary Art, Cleveland 
Yinchuan Biennale 2016, Museum of Contemporary Art Yinchuan
The Natural Order of Things, Museo Jumex, Mexico City
Expanded Fields, Nymphius Projekte, Berlin
Moving Image Department – 4th Chapter: The Rhetoric of Time, Revisited, National Gallery, Prague
A Material Legacy: The Nancy A. Nasher and David J. Haemisegger Collection of Contemporary Art, Nasher
Museum of Art at Duke University, Durham
All Over, Galerie Des Galeries, Paris
A History. Contemporary Art from the Centre of Pompidou, Haus der Kunst, Munich
Still (the) Barbarians, EVA International, Ireland’s Biennial, Limerick
Béton, Kunsthalle Wien Museumsquartier, Vienna

2015
British Art Show 8, Leeds Art Gallery, Leeds, United Kindom
14th Istanbul Biennale, Istanbul
10th Kaunas Biennial, Kaunas
6th Moscow Biennale, Moscow
In Girum Imus Nocte et Consumimur Igni, Museo Jumex, Mexico City
Summer Show 2015, Royal Academy of the Arts, London, United Kingdom
Space Between, FLAG Art Foundation, New York, NY
Ist Chapter: The Importance of Being a (Moving) Image, Prague National Gallery, Prague
Works on Paper, Galerie Eva Presenhuber, Zurich, Switzerland
Not: The Art of Resistance, Manchester School of Art Holden Gallery, Manchester
Adventures of the black square: Abstract art and society, Whitechapel Gallery, London

2014
International Company of Wagons Lit etc. etc., (with Rachel Harrison), Meyer Kainer, Vienna
Blue Times, Kunsthalle Wien
Confessions of the Imperfect, 1848-1989-Today, Van Abbemuseum, Eindhoven.
Solaris Chronicles, Luma Foundation, Arles
Monochrome & Readymades, L'Onde Théâtre Centre d'art, Velizy-Villacoublay.
El Hotel Eléctrico, M_kha, Antwerp.
Breaking News from the Ether, La Panacée, Centre de Culture Contemporaine, Montpellier.
Triple Oh!, Pestorius Sweeney House, Brisbane.
Who Shall Deliver Us from Greeks and Romans, Galeri Manâ, Istanbul.
The Decade 1984-1999, Centre Pompidou, Metz.
9 Artists, MIT List Visual Art Center, Cambridge.
Der Leone have sept cabeças, CRAC Alsace, Altkirch.
Never Look Back when Leaving, Casey Kaplan, New York.
Swiss Pavilion, 14th Architecture Biennale, Venice.
Une Histoire, Art, Architecture, Design des années 1980 à nos jours, Centre Pompidou, Paris.
A Machinery for Living, Organized by Walead Beshty, Petzel, New York.
Deep One Perfect Morning, Kerlin Gallery, Dublin.
Institute for Human Activities, Democratic Republic of Congo.
Beyond and Between, Leeum Samsung Museum of Art, Seoul.
Petals on the Wind, Galerie Micheline Szwajcer, Brussels.
Stillpass Collection with Exterior Concourse Diagram, collectorspace, Istanbul.
Helicotrema, Viafarini, Milan.
55th October Salon, Belgrade.
20+, SMAHK, Assen.
Szalon, Logan Center, Chicago.

2013
Punctum: Fotographie zwischen Inszenierung und Dokumentation, Boltensternraum Baden, Galerie Meyer Kainer
Absolut, White Flag Projects, St. Louis, Mo.
Secret Codes (Códigos Secretos), Galerie Luisa Strina, Sao Paulo
Looking Back - The 7th White Columns Annual, selected by Richard Birkett, White Columns, NY
Another Time, Pestorius Sweeney House, Brisbane.
Abstract Generation: Now in Print, MoMA, New York.
Cross/Roads, Willie Birch and Liam Gillick, Bard CCS.
Love in a Cold Climate, S1 Artspace, Sheffield.
The Twentieth Century as Never Seen Before, Museo di Santa Giulia, Brescia.
Edge Order Rupture, Gallery Lelong, New York.
Neoplastic Room. Open Composition, Museum Sztuki, Lodz.
Endless Bummer/Still Bummin, Marlborough Chelsea, New York.
The Lie and the Powerpoint, with Benoit Maire and Falke Pisano, Shanaynay, Paris.
Fired Earth, Herbert Gerisch Stiftung, Neumünster.
Poesia: Werke aus der Sammlung Reinking, Städtische Galerie Delmenhorst.
Kunst Nach 45, Lenbachhaus, Munich.
Striped: Gillick, Lefcourt, LeWitt, Pierson, Mitterand + Cramer, Geneve.
DLA Piper Series: Constellations, Tate Liverpool.
Salle d'attente III, Galerie Laurent Mueller, Paris.
Chinese Whispers: A Group Show on the loss of Control, Cura.basement, Rome.
7 Studies, Schellmann Furniture, Munich.
Sommeraustellung, Esther Schipper, Berlin.
Draft Urbanism, The Biennale of the Americas, Denver.
Contemporary Artists of the Donegal Diaspora, Regional Cultural Centre, Letterkenny.
Secondary Stuctures, Francois Morellet, Olivier Mosset, Liam Gillick, Katja Strunz, Ruzicska, Salzburg.
Leichte Verstörung in den Fabriken, tête, Berlin.
Unknown Forces, Curated by Sunjung Kim, Tophane-i Amire Gallery, Mimar Sinan University, Istanbul.
Abstract Nature, Parkett Austellungs-Raum, Zurich.
Reading List: Artist's Selections from the MoMA Library Collection, New York.
Word+Work, Galerie Nachst St. Stephan, Vienna.
British British Polish Polish, CCA Warsaw.
One foot in the real world, Irish Museum of Modern Art, Dublin.
To the Reader, BAK, Utrecht.
Nuit Blanche, Paris.
9 Artists, Walker Art Center, Minneapolis.
CAC Malaga: Una Década, CAC Malaga.
Capitalism Catch 22, Impakt Festival Utrecht.
Fading Nights, Gerhardsen Gerner, Berlin.

2012
Abstract Possible: The Stockholm Synergies, Tensta Konstall, Stockholm.
Utopia Gesamtkunstwerk, 21er Haus, Vienna.
Schrift Bild, Galerie Meyer Kainer, Vienna.
The Poster Show, Galerie Carlier-Gebauer, Berlin.
Positionen konzeptueller Kunst, Rüdiger Schottle, Munich
Print/Out, MOMA, New York.
Positions on Conceptual Art, Galerie Rüdiger Schottle, Köln. True Stories: Scripted Realities, Govett-Brewster Art Gallery, New Plymouth, New Zealand.
How to Make-Ideen, Notationen, Materialisierung, Kunsthaus Dreseden.
Scorpion or Felix, Galerie Eva Presenhuber, Zurich.
Read, Look! We promise it's not dangerous, Emily Harvey Foundation, New York.
Wir treffen uns am Abend, Galerie Kamm, Berlin.
Soundworks, ICA, London.
Urdaibai Art, Gernika, Spain.
Painting in Space, Luhring Augustine, New York.
Looking back for the Future, Kunsthalle, Zurich.
Last Day, Cartel, London.
To the Moon via the Beach, Les Arenes d'Arles, Arles.
Air de Paris Summer show, Art&Rapy, Monaco.
Group Exhibtion, Kerlin Gallery.
Take off your silver spurs and help me pass the time, Galerie Nikolaus Ruzicska, Salzburg.
Skulpturen und Relief aus der Sammlung, Kunsthalle Weisshapt, Ulm.
Sense and Sensibility, Euskadi 2012.
Various stages, Kunsthaus Dresden.
Decade: Contemporary Collecting 2002-2012, Albright Knox,Buffalo.
True Stories: Scripted Realities, Te Tuhi Centre fort the Arts, New Zealand.
Where is the Power, Fort Worth Contemporary Arts.
The Feverish Library, Friedrich Petzel, New York.
Busan Biennale, Korea.
The Mystery Spot, Fondation d'enterprise Ricard, Paris.
True Stories: Scripted Realities, Dunedin Public Art Gallery, New Zealand.
Screens, Galerie Meyer Kainer, Vienna.

2011
No more presence, The Artist's Institute, New York.
Someone else's life, Kerlin Gallery,Dublin.
Modern British Sculpture, Royal Academy,London.
Scaffolding of contrition, LeRoy Neiman Gallery, New York.
We are Grammar, Pratt Institute Gallery, New York.
A lunatic on bulbs, Giorgio Pace Projects, Chesa Planta.
Police!, Galerie Nathalie Seroussi, Paris.
Abstract possible, Museo Tamayo, Mexico, D.F
I am still alive,MOMA, New York.
Space Oddity, Kunstalle Andratx.
Contemporrary Magic:A Tarot Deck art Project, Andy Warhol Museum, Pittsburgh.
Sculpture Now, Galerie Eva Presenhuber, Zurich.
Out of Storage, Marres, Maastricht.
Conversation Pieces, Tate, Liverpool.
Als die Wälder auf Reisen gingen, Kunstverein Pforzheim, 9/2011 Göteborg International Biennale for Contemporary Art, Göteborg.
In Deed: Certifcates of authenticity in Art, De Vleeshal, Middleburg.
In Deed: Certifcates of authenticity in Art,Fondayione Bevilacqua, La Masa.
Monodrome, 3rd Athens Biennale, Athens.
Our Day Will come&Iteration Again, University of Tasmania School of Art in Hobart.
The Air we Breathe, SFMOMA, San Francisco.
Performa 11, New York
Of Bridges and Borders: Chapter V, From Real to Surreal, Museo de Arte Moderno de Buenos Aires.

2010
Animism, MuKHA/Extra City, Antwerp.
Interference: Fields for listening and Praxis, The studio at Moderna Museet, Stockholm.
Shazam, c/o Gerhardsen Gerner, Berlin.
Corporate Everything, Kunsthalle Freiburg.
Pictures about Pictures:Discources in Paining,MUMOK,Vienna.
Fantasy&Island, FRAC Crose.
Art: Curated by Michael Craig-Martin, Haas and Fuchs, Berlin.
Ce quin vient, les Ateliers de Rennes, Biennale d'art contemporain,Rennes.
The Promises of the Past, Centre Pompidou,Paris.
Don't Piss on me and tell me that it's raining, Apex Art, New York.
Film Matters, Beton 7, Athens.
Kozmik Latte, Borusan Collection, Instanbul.
High ideals and crazy dreams, Vera Munro, Hamburg.
Post-Office, Artspace, Auckland.
Men with Balls: Art oft he 2010 World Cup, Apex Art, New York.
Humanity is not a completed project, Villa du Parc, Centre d'art Contemporain, Annemasse.
89 KM. CGAC Collection, MARCO, Vigo.
The Philosophy of Money, White Pavilion, Lisbon City Museum.
Multiple Pleasures, Tanya Bonakdar Gallery, New York.
Changing Britain:Documentary Photography from the Arts Council Collection, Portcullis House, London.
Unrealised Porential, Cornerhouse, Manchester.
Aires de Jeux, Le Quartier, Quimper.
Today I made nothing, Elizabeth Dee Gallery, New York.
Geometry in 20th Century Art, Museo d'arte Latinamericano de Buenos Aires.
Guiding Light/A rehearsal, Performa, New York.
8th Shanghai Biennale, Shanghai.
Contemporary Magic: A Tarot Deck art Project, National Arts Club, New York.
Nature, Gerhardsen Gerner, Berlin.
Which whitch is which and /or summertime, White Flag Projects, St.Louis.
Without you I am nothing: Art and its Audience, Museum of Contemporary Art, Chicago.
01-10, Esther Schipper, Berlin.

2009
Saints and Sinners, Rose Art Museum, Brandeis University.
Custom Car Commandos, Art in General, New York.
Just what are the saying, Jonathan Ferrara Gallery, New Orleans.
Forms of Inquiry, Archizoom, Lausanne.
The Human Stain, CGAC Santiago de Compostela.
Espèces d'Espaces, Yvon Lambert, New York.
International Photo Festival Knokke–Heist, Knokke Heist.
Beaufort 03, Oostende, Belgium.
Unbuilt Roads, E–flux, New York.
A Factory, A Machine, A Body... Archaeology and Memory of Industrial Spaces, Centre d'art La Panera, Lleida.
La Recherche, Air de Paris, Paris.
Because I say so: Sculpture from the Scholl collection, Frost Art Museum, Miami.
Lapdogs of the Bourgeoisie, Arnolfini, Bristol.
Between Metaphor and Object, IMMA, Dublin.
Take the Money and Run, De Appel, Amsterdam.
UFO: Grenzgänge zwischen Kunst und Design, NRW–Forum, Dusseldorf.
The Obstacle is Tautology, Tulips and Roses, Vilnius.
Il Tempo del Postino, Theater Basel, Basel.
LEARN TO READ ART: A History of Printed Matter (1976–2009), Badischer Kunstverein, Karlsruhe.
Watou 2009, Watou.
Top 10 Allegories, Galerie Francesca Pia, Geneve.
T–tris, B.P.S. 22, Charleroi.
La Suite, Air de Paris, Paris.
A Factory, A Machine, A Body..., MUCA, Mexico City.
We are sun–kissed and Snow Blind, Patrick Seguin, Paris.
Gagarin: Artists in their own words, SMAK, Gent.
Queensland Art 2009, Pestorious Sweeney House, Brisbane.

2008
Images: A spike magazine project, Forde, Geneva.
Mixed Emotions, Domus Atrium, Salamanca.
Lapdogs of the Bougoisie, Tensta Konsthall, Spanga.
MAXImin, A century of abstraction, Fondacion Juan March, Madrid.
KW Hommage à Klaus Werner, Galerie für Zeitgenössiche Kunst, Leipzig.
The Brisbane Sound, Institute of Modern Art, Brisbane.
Cube Passerby, Passerby, New York.
Typed, Sadie Coles, London.
Fantasy, MuKHA, Antwerp.
Book/Shelf, MoMA, New York.
This is the gallery and the gallery is many things, Eastside Projects, Birmingham.
The Store, Tulips and Roses, Vilnus.
Blasted Allegories: Sammlung Ringier, Kunstmuseum, Luzern.
The Sydney Biennale, Sydney.
Call it what you like, Art Center Silkeborg Bad.
No so subtle subtitle, Casey Kaplan, New York.
Vincent Award, Stedelijk Museum, Amsterdam.
Private/Corporate V: Daimler Art Collection, Haus Huth, Berlin.
Mondo e Terra, FRAC Corse.
Shapes of Space 2, Màrio Sequeira Gallery, Braga.
This is the gallery and the gallery is Many things, Eastside Projects, Birmingham.
La Petite Histoire, Kunstraum Niederoesterreich, Vienna.
La Vitrina, Gudalajara.
100 Artists: Art on the Underground, A Foundation Gallery, London.
Moments and Murals, MD72, Berlin.
Branding Democracy, New School, New York.
Edition Schellmann Furniture, Edition Schellmann, Munich.
Accessories to an artwork, Paul Stolper Gallery, London.
Theanyspacewhatever, Guggenheim Museum, New York.
Getting Even, Lewis Glucksman Gallery, Cork.
Made in Munich, Haus der Kunst, Munich.
Fifty Percent Solitude, Kerlin Gallery, Dublin.

2007
Lapdogs of the Bourgoisie, Platform Garanti, Istanbul.
Active Constellation, Brno House of Art.
Collateral: When Art Looks at Cinema, Hangar Bicocca, Milan.
Los Vinilos, El Basilico, Buenos Aires.
Models for Tommorow: Cologne, EU Kunsthalle, Cologne.
Pure, Sean Kelly, New York.
Airs de Paris, Centre Pompidou, Paris.
The Redistribution of the Sensible, Galerie Magnus Muller, Berlin.
The Shapes of Space, Guggenheim Museum, New York.
Memorial to the Iraq War, ICA, London.
If Everybody Had an Ocean, Tate, St. Ives.
Trajectory 4: AKA Institute of Contemporary Art, Old Harbour, Riga.
How to improve the world, Birmingham Museum and Art Gallery.
Perspektive 07, Lenbachhaus, Munich.
Intocable (El ideal de la transparencia), The Museum of Contemporary Art, Valladolid.
It starts from here, De La Warr Pavillion.
Edition Schellmann Door Cycle, Friedrich Petzel Gallery, New York.
All You Desire, PPOW, New York.
Other Men's Flowers, Venetia Kapernekas Gallery, New York.
Franchise, Assen.
I can't live without, The Showroom, London.
L'ottava Tavola: An Etymology of Contemporary Codes, Cortona.
The Showroom Talks, The Showroom, London.
Fourier, Centre d'art mobile, Besançon.
If Everybody Had an Ocean, CAPC, Bordeaux.
Floating Territories, Various Locations (Venice, Istanbul...)
Projektion, Lentos Kunstmuseum Linz.
Franz West: Soufflé, Kunstraum Innsbruck.
Tomorrow is Another Day, Artsonje, Seoul.
Eva Presenhuber/Jubilee Exhibition, Vnà.
If everybody had an ocean, CAPC, Bordeaux.
Fusion Now! More light, more power, more people, Rokerby Gallery.
Winter Palace, de Aterliers, Amsterdam.
Xmas Hysteria, Galerie Emi Fontana, Milan.

2006
A person alone in a room with coca–cola coloured walls, Grazer Kunstverein.
Cinéma(s), Le Magasin, Grenoble.
Fondos da Colección CGAC: Entre o proceso e a forma, CGAC, Santiago de Compostela.
Slow Burn, Galerie Edward Mitterand, Geneva.
Broken Surface, Galerie Sabine Knust, Munich.
100 Artists See God (curated by John Baldessari & Meg Cranston), Cheekwood Museum of Art, Nashville.
Minimal Illusions, Galerien der Stadt Esslingen.
Under Construction, European Kunshalle, Cologne.
Ordnung und Verführung, Haus Konstructiv, Zurich.
Bühne des Lebens – Rhetorik des Gefühls, Kunstbau München, Munich.
A short history of performance Part 4, Whitechapel Art Gallery, London.
Classical Modern, Daimler Chrysler Contemporary, Berlin.
Back and Forth, Stiftung Wilhelm Lehmbruck Museum, Duisburg.
Supernova, Galerie Jana Koniarka, Trnava.
Grey Flags, Sculpture Center, New York.
Thankyou for the Music (London Beat), Sprüth Magers Lee, London.
Untouchable (The ideal of Transparency), Villa Arson, Nice.
Undisciplined: Attese Biennale of Ceramic Arts, Attese.
Crytallizations, Andreas Murkurdis Temporary, Munich.
Sprung ins Kalte Wasser, Shedhalle, Zurich.
Turtle, Chelsea Space, London.
Dirty Words, Galeria Pedro Cera, Lisbon.
Abstraction Now, Wilhelm–Hack–Museum, Ludwigshafen.
Modus, Neue Kunsthalle, St. Gallen.
Faster! Bigger! Better!, ZKM, Karlsruhe.
Academy, Van Abbemuseum, Eindhoven.
Projektion, Kunstmuseum, Luzern.
How to improve the World, Hayward Gallery, London.
Eye on Europe: Prints, Books and Multiples 1960 to now, MoMA, New York.
Klinik: Eine Pathologie der Gesten, Hebbel am Ulfer, Berlin.
Saigon: Open City, Saigon.
All Hawaii Entrées/Lunar Reggae, IMMA, Dublin.
Drapeaux Gris, CAPC, Bordeaux.

2005
Exit – Aussteig aus dem Bild, ZKM, Karlsruhe.
The Furniture of Poul Kjaerholm and selected artwork, Sean Kelly and R 20th Century, New York.
New Cohabitats, Galerie Ghislane Hussenot, Paris.
Goodbye 14th Street, Casey Kaplan, New York.
Good Titles for Bad Books, Kevin Bruk, Miami.
The Strange, Familiar and Unforgotten, Galerie Erna Hecey, Brussels.
Group Exhibition, Air de Paris, Paris.
Anna Sanders Films, Cinema Svetozor, Prague.
Supernova, Bunkier Sztuki, Kraków.
Icestorm, Kunstverein München, Munich.
La La Land, The Project, Dublin.
Post Notes, Midway Contemporary Art, Minneapolis.
Bidibidobidiboo, Works from Collezione Sandretto Re Rebaudengo, Turin.
100 Artists See God (curated by John Baldessari & Meg Cranston), Contemporary Art Center of Virginia, Virginia Beach.
I Really Should *, Lisson Gallery, London.
Go Between, Kunstverein Bregenz.
Nach Rokytnik, MUMOK, Vienna.
Extreme Abstraction, Albright Knox Art Gallery, Buffalo.
100 Artists See God (curated by John Baldessari & Meg Cranston), Albright College Freedman Art Gallery, Reading, PA.
General Ideas: Rethinking conceptual art 1987–2005, CCA Wattis, San Francisco.
Etc., Le Consortium, Dijon.
Passion beyond reason, Wallstreet 1, Berlin.
En Route: Via another route, Trans–Siberian Railway.
Snow Black, Yvon Lambert, New York.
Reception, Büro Friedrich, Berlin.
Rundledererwelten, Martin Gropius Bau, Berlin.
Ambiance, K21, Dusseldorf.
Strictement Confidentiel, CIAP, Ile de Vassiviere.
Thankyou for the Music, Sprüth Magers, Munich.
Im Bild Sein, Galerie der HGB–Leipzig.
The Party, Casey Kaplan, New York.
Supernova, Contemporary Art Centre, Vilnius.
Minimalism and after, Daimler Chrysler Collection, Berlin.

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