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BIOGRAPHY
Born 1964, Aylesbury, U.K.
Lives and works in London and New York.
Solo Exhibitions (2000-2010)
2010
Ein langer Spaziergang...Zwei kurze Stege...*, Kunst– und Ausstellungshalle der Bundesrepublik, Bonn.
Everything Good Goes, Meyer Kainer, Vienna.
2009
How will you behave: A kitchen cat speaks, German Pavillion, Venice Biennale.
Three Perspectives and a Short Scenario, Museum of Contemporary Art, Chicago.
Executive 2 litre GXL, MAK, Vienna.
Wall diagrams from the 1990s and early 2000s, House of Art, Budweis.
Two Short Plays, Eastside Projects, Birmingham.
2008
Three Perspectives and a Short Scenario, Witte de With, Rotterdam.
Three Perspectives and a Short Scenario, Kunsthalle, Zurich.
The State Itself Becomes a Super Whatnot, Casey Kaplan, New York.
Three Perspectives and a Short Scenario, Kunstverein, Munich.
2007
Weekend in So Show, The Lab, Belmar.
The commune itself becomes a super state, Corvi–Mora, London.
The state/commune itself becomes a super state/commune, Micheline Szwajcer, Antwerp.
2006
We are Medi(evil), Angela Bulloch and Liam Gillick, Cubitt, London.
Briannnnnn & Ferryyyyyy, Liam Gillick and Philippe Parreno, Kunsthalle Zurich.
Literally Based on HZ, Kerlin Gallery, Dublin.
The State itself becomes a super commune, Esther Schipper, Berlin.
2005
222nd Floor, Eva Presenhuber, Zurich.
A short essay on the possibility of an economy of equivalence, Palais de Tokyo, Paris.
Another 2004 Again, Baltimore Museum of Art.
Presentism, Corvi–Mora, London.
Factories in the snow, Meyer Kainer, Vienna.
McNamara Motel, CAC Malaga, Spain.
A short essay on the possibility of an economy of equivalence, Casa Encendida, Madrid.
As you approach the edge of town the lights are no softer than they were in the centre, Casey Kaplan, New York.
2004
Construccion de Uno, Javier Lopez, Madrid.
A Group of People, Air de Paris, Paris.
Liam Gillick, Aspen Art Museum, Aspen.
Övningskrning (Driving Practice), Milwaukee Art Museum.
Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp.
2003
Hills and Trays and..., Schipper & Krome, Berlin.
...Punctuated Everydays, Max Hetzler, Berlin.
Por Favor Gracias de Nada (with Gabriel Kuri), Kurimanzutto, Mexico City.
Exterior Days, Casey Kaplan, New York.
Communes, Bars and Greenrooms, The Powerplant, Toronto.
Projects 79: Literally, Museum of Modern Art, New York.
A Film, A Clip and a Documentary, (with Sean Dack), Corvi–Mora, London.
2002
The Wood Way, The Whitechapel Gallery, London.
Light Technique, Galerie Meyer Kainer, Vienna.
Liam Gillick, Rüdiger Schöttle, Munich.
2001
Firststepcousinbarprize, Hauser & Wirth & Presenhuber, Zurich.
Liam Gillick, Javier Lopez, Madrid.
Liam Gillick, Corvi–Mora, London.
Annlee You Proposes, Tate Britain, London.
Dedalic Convention, Salzburg Kunstverein.
2000
Applied Complex Screen, Hayward Gallery, London.
Liam Gillick, Galleri Charlotte Lund, Stockholm.
Liamm Gilllick, Schipper & Krome, Berlin.
Consultation Filter, Westfälischer Kunstverein, Münster.
Schmerz in Einem Gebäude, Fig 1, London.
Woody, CCA Kitakyshu.
Literally No Place, Air de Paris, Paris.
Renovation Filter, Recent Past and Near Future, Arnolfini, Bristol.
Liam Gillick, Casey Kaplan, New York.
Group Exhibitions (2005–2010)
2010
Animism, MuKHA/Extra City, Antwerp.
Interference: Fields for listening and Praxis, The studio at Moderna Museet, Stockholm.
Shazam, c/o Gerhardsen Gerner, Berlin.
Les Ateliers de Rennes, Rennes.
The Promises of the Past, Centre Pompidou, Paris.
Humanity is not a completed project, Villa du Parc, Centre d'art Contemporain, Annemasse.
2009
Saints and Sinners, Rose Art Museum, Brandeis University.
Custom Car Commandos, Art in General, New York.
Just what are the saying, Jonathan Ferrara Gallery, New Orleans.
Forms of Inquiry, Archizoom, Lausanne.
The Human Stain, CGAC Santiago de Compostela.
Espèces d'Espaces, Yvon Lambert, New York.
International Photo Festival Knokke–Heist, Knokke Heist.
Beaufort 03, Oostende, Belgium.
Unbuilt Roads, E–flux, New York.
A Factory, A Machine, A Body... Archaeology and Memory of Industrial Spaces, Centre d'art La Panera, Lleida.
La Recherche, Air de Paris, Paris.
Because I say so: Sculpture from the Scholl collection, Frost Art Museum, Miami.
Lapdogs of the Bourgeoisie, Arnolfini, Bristol.
Between Metaphor and Object, IMMA, Dublin.
Take the Money and Run, De Appel, Amsterdam.
UFO: Grenzgänge zwischen Kunst und Design, NRW–Forum, Dusseldorf.
The Obstacle is Tautology, Tulips and Roses, Vilnius.
Il Tempo del Postino, Theater Basel, Basel.
LEARN TO READ ART: A History of Printed Matter (1976–2009), Badischer Kunstverein, Karlsruhe.
Watou 2009, Watou.
Top 10 Allegories, Galerie Francesca Pia, Geneve.
T–tris, B.P.S. 22, Charleroi.
La Suite, Air de Paris, Paris.
A Factory, A Machine, A Body..., MUCA, Mexico City.
We are sun–kissed and Snow Blind, Patrick Seguin, Paris.
Gagarin: Artists in their own words, SMAK, Gent.
Queensland Art 2009, Pestorious Sweeney House, Brisbane.
2008
Images: A spike magazine project, Forde, Geneva.
Mixed Emotions, Domus Atrium, Salamanca.
Lapdogs of the Bougoisie, Tensta Konsthall, Spanga.
MAXImin, A century of abstraction, Fondacion Juan March, Madrid.
KW Hommage à Klaus Werner, Galerie für Zeitgenössiche Kunst, Leipzig.
The Brisbane Sound, Institute of Modern Art, Brisbane.
Cube Passerby, Passerby, New York.
Typed, Sadie Coles, London.
Fantasy, MuKHA, Antwerp.
Book/Shelf, MoMA, New York.
This is the gallery and the gallery is many things, Eastside Projects, Birmingham.
The Store, Tulips and Roses, Vilnus.
Blasted Allegories: Sammlung Ringier, Kunstmuseum, Luzern.
The Sydney Biennale, Sydney.
Call it what you like, Art Center Silkeborg Bad.
No so subtle subtitle, Casey Kaplan, New York.
Vincent Award, Stedelijk Museum, Amsterdam.
Private/Corporate V: Daimler Art Collection, Haus Huth, Berlin.
Mondo e Terra, FRAC Corse.
Shapes of Space 2, Màrio Sequeira Gallery, Braga.
This is the gallery and the gallery is Many things, Eastside Projects, Birmingham.
La Petite Histoire, Kunstraum Niederoesterreich, Vienna.
La Vitrina, Gudalajara.
100 Artists: Art on the Underground, A Foundation Gallery, London.
Moments and Murals, MD72, Berlin.
Branding Democracy, New School, New York.
Edition Schellmann Furniture, Edition Schellmann, Munich.
Accessories to an artwork, Paul Stolper Gallery, London.
Theanyspacewhatever, Guggenheim Museum, New York.
Getting Even, Lewis Glucksman Gallery, Cork.
Made in Munich, Haus der Kunst, Munich.
Fifty Percent Solitude, Kerlin Gallery, Dublin.
2007
Lapdogs of the Bourgoisie, Platform Garanti, Istanbul.
Active Constellation, Brno House of Art.
Collateral: When Art Looks at Cinema, Hangar Bicocca, Milan.
Los Vinilos, El Basilico, Buenos Aires.
Models for Tommorow: Cologne, EU Kunsthalle, Cologne.
Pure, Sean Kelly, New York.
Airs de Paris, Centre Pompidou, Paris.
The Redistribution of the Sensible, Galerie Magnus Muller, Berlin.
The Shapes of Space, Guggenheim Museum, New York.
Memorial to the Iraq War, ICA, London.
If Everybody Had an Ocean, Tate, St. Ives.
Trajectory 4: AKA Institute of Contemporary Art, Old Harbour, Riga.
How to improve the world, Birmingham Museum and Art Gallery.
Perspektive 07, Lenbachhaus, Munich.
Intocable (El ideal de la transparencia), The Museum of Contemporary Art, Valladolid.
It starts from here, De La Warr Pavillion.
Edition Schellmann Door Cycle, Friedrich Petzel Gallery, New York.
All You Desire, PPOW, New York.
Other Men's Flowers, Venetia Kapernekas Gallery, New York.
Franchise, Assen.
I can't live without, The Showroom, London.
L'ottava Tavola: An Etymology of Contemporary Codes, Cortona.
The Showroom Talks, The Showroom, London.
Fourier, Centre d'art mobile, Besançon.
If Everybody Had an Ocean, CAPC, Bordeaux.
Floating Territories, Various Locations (Venice, Istanbul...)
Projektion, Lentos Kunstmuseum Linz.
Franz West: Soufflé, Kunstraum Innsbruck.
Tomorrow is Another Day, Artsonje, Seoul.
Eva Presenhuber/Jubilee Exhibition, Vnà.
If everybody had an ocean, CAPC, Bordeaux.
Fusion Now! More light, more power, more people, Rokerby Gallery.
Winter Palace, de Aterliers, Amsterdam.
Xmas Hysteria, Galerie Emi Fontana, Milan.
2006
A person alone in a room with coca–cola coloured walls, Grazer Kunstverein.
Cinéma(s), Le Magasin, Grenoble.
Fondos da Colección CGAC: Entre o proceso e a forma, CGAC, Santiago de Compostela.
Slow Burn, Galerie Edward Mitterand, Geneva.
Broken Surface, Galerie Sabine Knust, Munich.
100 Artists See God (curated by John Baldessari & Meg Cranston), Cheekwood Museum of Art, Nashville.
Minimal Illusions, Galerien der Stadt Esslingen.
Under Construction, European Kunshalle, Cologne.
Ordnung und Verführung, Haus Konstructiv, Zurich.
Bühne des Lebens – Rhetorik des Gefühls, Kunstbau München, Munich.
A short history of performance Part 4, Whitechapel Art Gallery, London.
Classical Modern, Daimler Chrysler Contemporary, Berlin.
Back and Forth, Stiftung Wilhelm Lehmbruck Museum, Duisburg.
Supernova, Galerie Jana Koniarka, Trnava.
Grey Flags, Sculpture Center, New York.
Thankyou for the Music (London Beat), Sprüth Magers Lee, London.
Untouchable (The ideal of Transparency), Villa Arson, Nice.
Undisciplined: Attese Biennale of Ceramic Arts, Attese.
Crytallizations, Andreas Murkurdis Temporary, Munich.
Sprung ins Kalte Wasser, Shedhalle, Zurich.
Turtle, Chelsea Space, London.
Dirty Words, Galeria Pedro Cera, Lisbon.
Abstraction Now, Wilhelm–Hack–Museum, Ludwigshafen.
Modus, Neue Kunsthalle, St. Gallen.
Faster! Bigger! Better!, ZKM, Karlsruhe.
Academy, Van Abbemuseum, Eindhoven.
Projektion, Kunstmuseum, Luzern.
How to improve the World, Hayward Gallery, London.
Eye on Europe: Prints, Books and Multiples 1960 to now, MoMA, New York.
Klinik: Eine Pathologie der Gesten, Hebbel am Ulfer, Berlin.
Saigon: Open City, Saigon.
All Hawaii Entrées/Lunar Reggae, IMMA, Dublin.
Drapeaux Gris, CAPC, Bordeaux.
2005
Exit – Aussteig aus dem Bild, ZKM, Karlsruhe.
The Furniture of Poul Kjaerholm and selected artwork, Sean Kelly and R 20th Century, New York.
New Cohabitats, Galerie Ghislane Hussenot, Paris.
Goodbye 14th Street, Casey Kaplan, New York.
Good Titles for Bad Books, Kevin Bruk, Miami.
The Strange, Familiar and Unforgotten, Galerie Erna Hecey, Brussels.
Group Exhibition, Air de Paris, Paris.
Anna Sanders Films, Cinema Svetozor, Prague.
Supernova, Bunkier Sztuki, Kraków.
Icestorm, Kunstverein München, Munich.
La La Land, The Project, Dublin.
Post Notes, Midway Contemporary Art, Minneapolis.
Bidibidobidiboo, Works from Collezione Sandretto Re Rebaudengo, Turin.
100 Artists See God (curated by John Baldessari & Meg Cranston), Contemporary Art Center of Virginia, Virginia Beach.
I Really Should *, Lisson Gallery, London.
Go Between, Kunstverein Bregenz.
Nach Rokytnik, MUMOK, Vienna.
Extreme Abstraction, Albright Knox Art Gallery, Buffalo.
100 Artists See God (curated by John Baldessari & Meg Cranston), Albright College Freedman Art Gallery, Reading, PA.
General Ideas: Rethinking conceptual art 1987–2005, CCA Wattis, San Francisco.
Etc., Le Consortium, Dijon.
Passion beyond reason, Wallstreet 1, Berlin.
En Route: Via another route, Trans–Siberian Railway.
Snow Black, Yvon Lambert, New York.
Reception, Büro Friedrich, Berlin.
Rundledererwelten, Martin Gropius Bau, Berlin.
Ambiance, K21, Dusseldorf.
Strictement Confidentiel, CIAP, Ile de Vassiviere.
Thankyou for the Music, Sprüth Magers, Munich.
Im Bild Sein, Galerie der HGB–Leipzig.
The Party, Casey Kaplan, New York.
Supernova, Contemporary Art Centre, Vilnius.
Minimalism and after, Daimler Chrysler Collection, Berlin.
