Born 1966 in New York
1989 B.A. in Fine Arts, Wesleyan University, Middletown, USA
lives and works in New York
House of the Dolphins, Rat Hole Gallery, Tokyo
Prasine, Green Naftali, New York
More News: A Situation, Green Naftali, New York
Depth Jump to Second Box, Kraupa-Tuskany Zeidler, Berlin
Rachel Harrison: Perth Amboy, MoMA, New York
Voyage of the Beagle, Two, The Bass Museum of Art, Miami Beach
Three Young Framers, Regen Projects, Los Angeles
Make Her Mine: Robert Rauschenberg’s Gloria with Rachel Harrison, The Cleveland Museum of Art, Cleveland
International Company of Wagons Lit etc. etc., Liam Gillick and Rachel Harrison, Galerie Meyer Kainer, Vienna
Who Gave You This Number?, curated by Jeffrey Uslip, Institute of Fine Arts, New York University, NY
Villeperdue, Galerie Meyer Kainer, Vienna.
The Help, Greene Naftali Gallery, New York.
Rachel Harrison/ Scott Lyall: Double Yolk, Galerie Christian Nagel, Antwerp.
Regen Projects, Los Angeles.
Consider the Lobster, Hessel Museum of Art & Center for Curatorial Studies at Bard College, New York (cat.)
Portikus, Frankfurt am Main.
Sunny Side Up, Galerie Meyer Kainer, Vienna.
Lay of the Land, Le Consortium, Dijon.
Voyage of the Beagle, Migros Museum für Gegenwartskunst, Zurich; Kunsthalle Nürnberg, Nürnberg (cat.)
If I Did It, Greene Naftali Gallery, New York.
Checking the Tires, Not To Mention the Marble Nude, Galerie Christian Nagel, Cologne.
sometimes it snows in april, (Presentation with Michael Krebber), The McAllister Institute, New York.
When Hangover Becomes Form, in collaboration with Scot Lyall, The Contemporary Art Gallery, Vancouver; LACE, Los Angeles.
Car Stereo Parkway, Transmission Gallery, Glasgow.
New Work, San Francisco Museum of Modern Art, San Francisco.
Posh Floored as Ali G Tackles Becks, Camden Art Centre, London.
Excuse Me?, Arndt & Partner, Berlin.
Latka/Latkas, Greene Naftali Gallery, New York.
Westward Ho, Bergen Kunsthalle, Gallery No. 5, Bergen.
Currents 30: Rachel Harrison, Milwaukee Art Museum, Milwaukee (cat.)
Seven Sculptures, Arndt & Partner, Berlin.
Art 33 Basel Art Statements, Basel Art Fair, Basel.
Brides and Bases, Oakville Gallery, Toronto (cat.)
Perth Amboy, Greene Naftali Gallery, New York.
Patent Pending: Beveled Rasp Sac, Greene Naftali Gallery, New York.
The Look of Dress-Separates, Greene Naftali Gallery, New York.
Should home windows or shutters be required to withstand a direct hit from an eightfootlong twobyfour shot from a cannon at 34 miles an hour, without creating a hole big enough to let through a threeinch sphere?, Arena Gallery, Brooklyn.
Group Exhibitions (Selection)
aroundabout Jack Jaeger, Kunstverein Langenhagen, Langenhagen
Like A Moth To A Flame, Fondazione Sandretto Re Rebaudengo, Turin
Small Sculpture, Corbett vs. Dempsey, Chicago, USA
Nuclear Family, Ibid Projects, Los Angeles, USA
Steps to Aeration, Tanya Leighton Gallery, Berlin
The Times, FLAG Art Foundation, New York
What I Loved. Selected Works From The '90S, Regen Projects, Los Angeles, USA
Zeitgeist, Mamco - musée d´art moderne et contemporain, Genf
We need to talk... - Artists and the public respond to present conditions in America, Friedrich Petzel Gallery, New York
The Sun Placed in the Abyss, curated by Drew Sawyer, Columbus Museum of Art, Columbus
Manifesta, What People Do for Money: Some Joint Ventures, curated by Francesca Gavin and Christian Jankowksi, Zurich
Prospect, Museum of Contemporary Art San Diego, San Diego
Human Interest: Portraits from the Whitney’s Collection, Whitney Museum of American Art, New York
Receipt of a Magical Agent, Center for Curatorial Studies, Hessel Museum, Bard College, Annadale-on-Hudson
Ordinary Pictures, curated by Eric Crosby, Walker Art Center (catalogue)
MashUp: The Birth of Modern Culture, curated by Daina Augaitis, Bruce Glenville and Stephanie Rebick, Vancouver Art Gallery, Vancouver
The Calder Prize 200-2015, Pace London, London
ACTIVE INGEDIENT, Lisa Cooley, New York
Foundation Barbin Presents: Redeux (Sort of), Kai Matsumiya Gallery, New York
Das unbekannte Meisterwerk, Galerie Meyer Kainer, Vienna
Painting 2.0: Expression in the Information Age, curated by Achim Hochdörfer, David Joselit, and Manuela Ammer, Museum Brandhorst, Munich
The Great Mother, curated by Massimiliano Gioni, Palazzo Reale, Milan
You Know I'm No Good, curated by Renny Pritikin, Contemporary Jewish Museum, San Francisco
Under the Clouds, curated by João Ribas, Serralves Museum, Porto, Portugal
Storylines: Contemporary Art from the Guggenheim Collection, curated by Nancy Spector, Katherine Brinson and Nat Trotman, Guggenheim Museum of American Art, New York
Works on Paper, Greene Naftali Gallery, New York
Gargle/Spit, TBD, New York
America Is Hard to See, Whitney Museum of Art, New York
Zabludowicz Collection: 20 Years, Zabludowicz Collection, London
The Pleasure of the Text, Campoli Presti, London
Sorry, I've been trying to teach a peacock how to act, Rachel Uffner Gallery, New York
Moves & Countermoves, Center for Curatorial Studies, Hessel Museum, Bard College, annandale-on-Hudson
Picasso in Contemporary Art, Contemporary Art and Picasso, Deichtorhallen, Hamburg, Germany
Selections From the de la Cruz Collection, Nova Southeastern University Alvin Sherman Library, Ft. Lauderdale
Le Souffleur, Ludwig Forum Aachen, Aachen
Mending Wall, curated by Alexis Rose, The Pit, Glendale, Californi
Picture/Thing, curated by Jeffrey Schiff and Sasha Rudensky, Ezra and Cecile Zilkha Gallery, WesleyanCenterfor the Arts, Middletown, Connecticu
Nude Model, curated by Patrick Armstrong, The Green Gallery, Milwaukee
Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts, Matthew Marks Gallery, New York
The Novel That Writes Itself, Greene Naftali Gallery, New York
International Company of Wagons Lit etc. etc., Liam Gillick and Rachel Harrison, Galerie Meyer Kainer, Vienna
Collection Show, Fondation Louis Vuitton, Paris
Pop Departures, curated by Catharina Manchanda, Seattle Art Museum, Seattle
Pure Water: The Most Valuable Resource in the World, LENTOS Kunstmuseum Linz, Linz
Cast from Life, Skarstedt Gallery, New York
The Material Image, curated by Debra Singer, Marianne Boesky Gallery, NewYork
Pierogi XX: Twentieth Anniversary Exhibition, Pierogi 2000, New York
Threshold: Sculpture from the Contemporary Art Collection, Philadelphia Museum of Art, Philadelphia
A Machinery for Living, curated by Walead Beshty, Petzel Gallery, New York
Displayed, curated by Matthew Higgs, Anton Kern Gallery, New York
Rockaway!, curated by Klaus Biesenbach, Rockaway Beach Surf Club, New York
A History. Art, Architecture, Design from the 1980s Until Today., Centre Pompidou, Paris
The Human Factor, curated by Ralph Rugoff, Hayward Gallery, London (catalogue)
Chat Jet (Part 2): Sculpture in Reflection, Künstlerhaus Graz, Graz
The Collection on Display, Migros Museum für Gegenwartskunst, Zurich
COPIED, Andrew Roth Gallery, New York
Masterworks on Loan, Jordan Schnitzer Museum of Art, Eugene, Oregon
Tate Collection Displays, Energy and Process, Tate Modern, London
The Moderna Museet Collection, Moderna Museet, Stockholm
Collection Presentation, Stedelijk Museum, Amsterdam
Masterworks on Loan, Jordan Schnitzer Museum of Art, Eugene, Oregon
On Radical Juxtaposition, curated by Stefanie Kleefeld and Valerie Knoll, Halle für Kunst, Luneburg
Post-Picasso, Contemporary Art and Picasso, Deichtorhallen, Hamburg
Blues for Smoke, Whitney Museum of American Art, New York
Film as Sculpture, curated by Elena Filipovic, Wiels Contemporary Art Centre,
Beautiful Monsters, curated by Douglas Fogle, Cycladic Museum, Athens,
NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York
Monsalvat, Bureau, New York Group Show, curated by Haim Steinbach, The Artist's Institute / Hunter
College, New York, January 6 – 27
Once Removed, Yale University Art Gallery, New Haven, Connecticut
Rumba & Rum Baba, Galerie Laurent Godin, Paris, France,
Baltimore Museum of Art, Baltimore
Now Here is also Nowhere: Part I, Henry Art, Seattle
Blues for Smoke, The Museum of Contemporary Art, Los Angeles, travels to Whitney Museum of American Art, New York,
February 7, 2013 – April 28, 2013 (cat.)
Migros Meets Museion. 20th Century Remix, Museion Museum of Modern and
Contemporary Art, Bolzano, Italy
To Be With Art Is All We Ask, Astrup Fearnley Museum, Oslo
Imagination Adrift, Palais de Tokyo, Paris, France, Beyond Imagination, Stedelijk Museum, Amsterdam
Inaugural Exhibition by Gallery Artists, Regen Projects, Los Angeles
Lou Ford, G Gallery, Toronto
Decade: Contemporary Collecting, 2002-2012, Albright-Knox Art Gallery,
Buffalo, New York, (cat.)
Buy My Bananas, curated by Julia Trotta, Kate Werble Gallery, New York
Painting In Space, curated by Tom Eccles and Johanna Burton, Luhring
Augustine Gallery, New York
Zoologie, curated by Marie Fraser & François LeTourneux, Musée d'art
contemporain de Montréal, Montreal (cat.)
The Institute of Contemporary Art Collection Show, The Institute of
Contemporary Art in Boston, Boston
Matters of Fact, curated by Tom Eccles, Suzy M. Halajian, Marieluise Hessel,
Nathan Lee, Alicia Ritson, and Kelly Taxter, Center for Curatorial
Studies, Hessel Museum, Bard College, Annandale-on-Hudson
Utopia/Dystopia: Constructed with Photography, Museum of Fine Arts,
2012 Invitational Exhibition of Visual Artists, American Academy of Arts & Letters, curated by Virginia Dajani, March
Friends & Family, curated by Kenny Schacter, ROVE Gallery, London, February (cat.)
Look Now: Modern and Contemporary Art from Private Collections, Montclair
Art Museum, Montclair
Universe in Universe, Astrup Fearnley Museum collection at the Sao Paulo Biennial, Sao Paulo
Facing the Abyss, Witzenhausen Gallery, New York
Repossessed, Western Bridge, Seattle, Washington
Distant Star: An Exhibition organized arount the writings of Roberto Bolaño, Regen Projects, Los Angeles
2011 Bridgehampton Biennial, curated by Bob Nickas, Martos Gallery,
Will Live, We Will See, curated by Pavel S. Pyś, Zabludowicz Collection, (cat.)
14 & 15, curated by David Muenzer, The Lipstick Building, New York
Exposition d'Ouverture, Le Consortium, Dijon, France
Absentee Landlord, curated by John Waters, Walker Art Center, Minneapolis
Schnitte im Raum, Skulpturale Collagen, Museum Morsbroich, Leverkusen
Time Again, curated by Fionn Meade, ScuptureCenter, Long Island City, New York
That's the way we do it, curated by Yilmaz Dziewior, Kunsthaus Bregenz,
Human Nature: Contemporary Art from the Collection, LACMA, Los Angeles
Entertainment, Greene Naftali Gallery, New York
Notations/Everyday Disturbances, Philadelphia Museum of Art, Philadelphia
The Spectacular of Vernacular, curated by Darsie Alexander, Walker Art
Center, Minneapolis; traveled to Contemporary Arts Museum Houston; Montclair Art
Museum, Montclair, Ackland Art Museum, Chapel Hill, NC
Transformed Objects: with Works by John Bock, Jürgen Drescher, Rachel Harrison, Alicja
Kwade, Thomas Rentmeister, Margret Wibmer, curated by Zdenek Felix and Ludwig Seyfarth,
Kai 10, Raum für Kunst / Arthena Foundation, Düsseldorf
Modern British Sculpture, Royal Academy of Arts, London, (cat.)
New York to London and Back, organized by Miguel Abreu, Robin Mackay,
Tobias Huber and Martine d'Anglejan, in collaboration with Sutton Lane, homas Dane Gallery,
How Soon Now, Rubell Family Collection, Miami
Ordinary Madness, Carnegie Museum of Art, Pittsburgh
The Last Newspaper, curated by Richard Flood, New Museum, New York
The Original Copy: Photograph of Sculpture, 1839 to Today, curated by Roxana Marcoci,
MOMA, New York
Contemporary Art from the Collection, curated by Kathy Halbreich, Museum of Modern Art,
At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg,
CCs Bard Hessel Museum of Art, Annandale-on-Hudson, NY
Blind Spot Lab & Exhibition – Issue 41, Wild Project, New York
Pictures by Women: A History of Modern Photography, Museum of Modern Art, New York
Nachleben, curated by Fionn Meade and Lucy Raven, Wyoming Building, Goethe-Institut,
Sorry we're Closed, curated by sebastien Janssen, Art Brussels
Haunted: Contemporary Photography/Video/Performance, Solomon R.,
Guggenheim Museum, Guggenheim Museum Bilbao (cat.)
Abstract Resistance, curated by Yasmil Raymond, Walker Art Center, Minneapolis
Don't Look Back in Anger, Kenny Schachter/Rove, London
Altermodern: Tate Triennial 2009, curated by Nicholas Bourriaud, Tate Britain, London (cat.)
Beg Borrow and Steal, The Rubell Family Collection, Miami (cat.)
A Few Frames: Photography and Contact Sheet, curated by Elisabeth Sussman and Tina
Kukielski, Whitney Museum of American Art, New York
For the blind man in the dark room looking fort he black cat that isn't there, curated by
Anthony Hubermann, Contemporary Art Museum, St. Louis; Institute of Contemporary Arts,
London;Museum of Contemporary Art, Detroit; de Appel Arts Centre Amsterdam; Culturgest,
Precarious Form I, curator Veit Loers, Galerie Meyer Kainer, Vienna
The Secret Life of Objects, curated by John Rasmussen, Midway Contemporary Art,
Collecting History: Highlighting Recent Acquisitions, curated by Ann Goldstein and Bennet Simpson, Museum of Contemporary Art, Los Angeles
Making Worlds, 53rd Venice Biennale, curated by Daniel Birnbaum, Italian Pavilion, Venice
Mapping the Studio: Artists from the Francois Pinault Collection, curated by Francesco
Bonami and Alison Gingeras, Plazzo Grassi, Venice
Abstract America: New Painting and Sculpture, Saatchi Gallery, London
Practice, Practice, Practice, curated by Michael Smith and Jay Sanders, Lora Reynolds
Compass in Hand: Selections from the Judith Rothschild Foundation contemporary
Drawings Collection, curated by Christian Rattemeyer and Cornelia H. Butler, MoMA, New
Lichtzwang, Dvir Gallery, Tel Aviv
Phot(o)bjects, curated by Bob Nickas, Presentation House Gallery, Vancouver
N'importe Quoi, curated by Vincent Pecoil and olivier Vadrot, Musèe d'art contemporain de
Altermodern, Tate Triennial, curated by Nicholas Bourriaud, Tate Britain, London
Works on Paper by Gallery Artists and Ricci Albenda, Greene Naftali, New York.
Front Room: Dieter Roth and Rachel Harrison, Balitmore Museum of Art, Baltimore.
You Can Go Your Own Way, curated by Claudia Altman Siegel, Renwick Gallery, New York.
Standard Size, curated by Joao Ribas, Andrew Kreps Gallery, New York.
Paul Thek in the Context of Today's Contemporary Art, ZKM, Karlsruhe.
Second Thoughts, Hessel Museum of Art & Center for Curatorial Studies at Bard College, New York.
Whitney Biennial, Whitney Museum of American Art, New York.
The Alliance, doART, Seoul, Korea, and Beijing, China.
Eyes Wide Open New to the Stedelijk & The Monique Zajfen Collection, Stedelijk Museum, Amsterdam.
Perspectives Series, Contemporary Arts Museum Houston.
Pop Art Is, Gagosian Gallery, London.
Insubstantial Pageant Faded, Western Bridge, Seattle.
XXL Size Does Matter, Sommer Contemporary Art, Tel Aviv.
Paul Thek in the Context of Today's Contemporary Art, ZKM, Karlsruhe; Sammlung Falckenberg, Hamburg.
Fit to Print, Gagosian Gallery, New York.
Unmonumental: Falling To Pieces in the 21st Century, New Museum, New York (cat.)
Multiplex: Directions in Art, 1970 to Now, MoMA Museum of Modern Art, New York.
The Hamsterwheel, conceived by Franz West Studio, Arsenale di Venezia, Venice; Festival de Printemps de Septembre, Toulouse; Centre d'Art Santa Mónica, Barcelona; Konsthall Malmo, Sweden.
Still Life and Kicking, curated by Dodie Kazanjian, Paula Cooper Gallery, New York.
For the People of Paris, Sutton Lane Gallery, Paris (cat.)
The Uncertainty of Objects and Ideas: Recent Sculpture, curated by Anne Ellegood, Hirshhorn Museum and Sculpture Garden, Washington (cat.)
Werner Herzog, Blum and Poe, Los Angeles.
Shiny, curated by Helen Molesworth, The Wexner Center for the Arts, Columbus, USA.
The Swan Is Very Peaceful, Richard Telles Fine Art, Los Angeles.
Pose and Sculpture, curated by Daniel Baumann, Casey Kaplan Gallery, New York (cat.)
Of Mice and Men, The 4th Berlin Biennale, curated by Maurizio Cattelan, Massimiliano Gioni, Ali Subotnick, KunstWerke Institute for Contemporary Art, Berlin (cat.)
Dark, curated by Jan Grosfeld and Rein Wolfs, Museum Boijmans Van Beuningen, Rotterdam (cat.)
Motore Immobile, curated by Carol Greene and Jay Sanders, Greene Naftali Gallery, New York.
Ridykeulous, Participant Inc, New York.
Survivor, curated by David Rimanelli, Bortolami Dayan, New York.
Daisychain, curated by Bruce Haines, MOT Gallery, London.
Make It Now: New Sculpture in New York, curated by Mary Ceruti, Anthony Huberman and Franklin Sirmans, Sculpture Center, Long Island City (cat.)
Carnegie International, curated by Laura Hoptman, Carnegie Museum of Art, Pittsburgh (cat.)
When Humor Becomes Painful, curated by Heike Munder and Felicity Lunn, Migros Museum für Gegenwartskunst, Zurich (cat.)
Fünfmalskulptur, curated by Carina Plath, Westfalischer Kunstverein, Münster.
Ordering the Ordinary, curated by David Thorp, Timothy Taylor Gallery, London.
Sculpture New Spirit, Galerie Nathalie Obadia, Paris.
The Jeweleigha Set, Greene Naftali Gallery, New York.
Drunk Vs. Stoned 2, Gavin Brown's Enterprise, New York.
Building the Collection: New and Future Acquisitions, Art Gallery of Ontario, Ontario.
Last One On is a Soft Jimmy, curated by Kelley Walker, Paula Cooper Gallery, New York.
Hysterical, curated by Michele Maccarone, Galerie Dennis Kimmerich, Düsseldorf.
Slouching Towards Bethlehem, curated by Jeffrey Uslip, The Project, New York.
Patterson Beckwith: Home, American Fine Arts, Co., New York.
American Idyll, Greene Naftali Gallery, New York.
Speaking with Hands: Photographs from The Buhl Collection, Guggenheim Museum, New York (cat.)
Reordering Reality: Collecting Contemporary Art, curated by Annegreth T. Nill, Columbus Museum of Art, Columbus, USA.
Collage, Bloomberg SPACE, London.
Open House: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn (cat.)
Drunk vs. Stoned, curated by Corinna Durland, General Store @ Gavin Brown's Passerby, New York.
The Structure of Survival, curated by Carlos Basualdo, Arsenale di Venezia, 50th Venice Biennale, Venice (cat.)
Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith and Rebecca Warren, curated by Jeffrey Peabody, Matthew Marks Gallery, New York.
The Paper Sculpture Show, organized by Cabinet magazine, iCI, and SculptureCenter; SculptureCenter, Long Island City, New York, and 20 other locations, 2003-2007.
The Alumni Show, curated Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, USA.
Brighton Photo Biennial, curated by Jeremy Millar, University of Brighton, Brighton, GB.
K48 Teenage Rebel The Bedroom Show, curated by Scott Hug, John Connelly Presents, New York.
Whitney Biennial, curated by Lawrence Rinder, Whitney Museum of American Art, New York (cat.)
Stories, curated by Stephanie Rosenthal, Haus der Kunst, Munich.
Building Structures, organized by Klaus Biesenbach, P.S. 1 Contemporary Art Center, Long Island City.
Pictures, Greene Naftali Gallery, New York.
Youngstars, organized by Horst Köhn, Krinzinger Projekte, Wien.
Off the Wall, curated by Greg Sandoval and Sam Gordon, Gallery 400 University of Illinois, Chicago.
Spiritual America, Audiello Fine Art, Inc, New York.
Group Show (Spring 2001), curated by Michele Maccarone & Chivas Clem, The Fifth International, New York.
Full Serve: Celebrating Ten Years of Shows, curated by Kenny Schachter, presented by Kenny Schachter/Rove, New York.
The Armchair Project, curated by DeClan Clarke & Paul McDevitt, Cinch, London.
Superpredators, curated by Jose Freire, C.R.P., Brooklyn.
Dusk, curated by David Hunt, I20 Gallery, New York.
New York Projects, curated by Luke Dowd, Delfina Project Space, London.
Walker Evans & Company, curated by Peter Galassi, Museum of Modern Art, New York; J. Paul Getty Museum, Los Angeles (cat.)
Rapture, curated by Janet Phelps, 529 W. 20th 8th Fl., New York.
Trailer, Greene Naftali Gallery, New York.
Photography about Photography, curated by Liz Deschenes, Andrew Kreps Gallery, New York.
Greater New York: New Art in New York Now, curated by Klaus Biesenbach, Carolyn ChristovBakargiev and Alana Heiss, P.S. 1 Contemporary Art Center, Long Island City (cat.)
Photasm, curated by Peter Dudek, Arts Strium Gallery, Union College, Schenectady; Hunter College, New York.
DOPE. An XXX-Mas Show, American Fine Arts, Co., New York.
I'm Not Here: Constructing Identity at the Turn of the Century, curated by Jonathan Van Dyke and Sean Mellyn, Susquehanna Art Museum, Harrisburg.
Sleeping Waters, Galerie Chantal Crousel, Paris.
Still Life, curated by Helen Molesworth, State University of New York College at Old Westbury, Old Westbury.
GIRLSCHOOL, curated by Catherine Morris and Maureen Mahoney, Brenau University Galleries, Gainesville.
What Big Is, Geoffrey Young Gallery, Barrington.
New York Neither/Nor, curated by Bill Arning, Grand Arts, Kansas City.
monochrome, Patrick Callery Gallery, New York.
Free Coke, Greene Naftali Gallery, New York.
Answer yes, no, or don't know; Part II: Layers, curated by Ricci Albenda, Andrew Kreps Gallery, New York.
Hypervision, curated by Caitlin Masley, Elizabeth Cherry Contemporary Art, Tuscon.
New Photography 14, curated by Darsie Alexander, Museum of Modern Art, New York.
Summer Group Show, curated by Dee Mitchell, Turner & Runyon, Dallas.
TXInstalltions/Projects, P.S. 1 Contemporary Art Center, Long Island City.
Super Freaks: Post Pop & The New Generation; Part I: Trash, Greene Naftali Gallery, New York.
Lo-Fi Baroque, curated by Michael Sarff and Carol Stakenas, Thread Waxing Space, New York.
Science, Feature Inc., New York.
Funny Pictures, Ten in One Gallery, Chicago.
The New God, curated by John Connelly, Andrea Rosen Gallery, New York.
24 Seven, curated by Alexander Berscheid, Galerie Klaus Peter Goebel, Stuttgart.
Paper Trail, curated by Gregory Volk and Sabine Russ, Pierogi 2000, Brooklyn.
Current Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn.
Summer of Love, Fotouhi Cramer Gallery, New York.
Prosthetic Garden, Daniel Silverstein Gallery, New York.
The Experimenters, curated by Kenny Schachter, Lombard-Freid Fine Arts, New York.
Normotic, curated by David Humphrey, 1 Great Jones, New York.
Anne Chu, Rachel Harrison, Donald Moffett, Jasmin Sian, Marc Foxx, Los Angeles.
Rachel Harrison and Michael Lazarus, Feature Inc., New York.
Taking Stock, curated by Kenny Schachter, The Exchange, 25 Broad Street, New York.
Space, Mind, Place, curated by John Connelly and Michelle Reyes, Andrea Rosen Gallery, New York.
DISSOCIATIONISM, Four Walls, Brooklyn.
Shit, Baron Boisante Gallery, New York.
Summer Exhibition, Greene Naftali Gallery, New York.
Sex, Drugs And Explosives, curated by Kenny Schachter, New London Art Forms, London.
Sculpture Incorporating Photography, Feature Inc., New York.
Post Hoc, curated by Alison Greene, Stark Gallery, New York.
Facing The Millenium: The Song Remains The Same, curated by Kenny Schachter, Arlington Museum of Art, Arlington.
Flamingo East, curated by Kenny Schachter, Flamingo East 219 2nd Avenue, New York.
Summer Exhibition, Paolo Baldacci Gallery, New York.
Oy!, curated by Kenny Schachter, 121 Greene Street, New York.
Either/Or, curated by Kenny Schachter, Flamingo East, 219 2nd Ave., New York.
High Anxiety, curated by Kenny Schachter, 66 Crosby Street, New York.
Looky Loo, curated by Kenny Schachter, Sculpture Center, New York.
Dark Room, Stark Gallery, New York.
Smells Like Vinyl, Roger Merians Gallery, New York.
Tight, Tannery Gallery, London; Liverpool.
UnSuccess Story, curated by Kenny Schachter, 479 Broome Street, New York.
Women at Work, curated by Jill Brienza and Gretel Capriles, The Roger Smith Gallery, New York.
I Could Do That, curated by Kenny Schachter, 109 Spring Street, New York.
Dirty, curated by Carol Greene, John Good Gallery, New York.
Group Show, Galerie Elizabeth Valleix, Paris.
Pre-Existing Condition, The Puffin Room, New York.
Poverty Pop: The Aesthetics of Necessity, curated by Jeanette Ingberman and Papo Colo, Exit Art, New York.
Shooting Blanks, curated by Kenny Schachter, 81 Greene Street, New York.
For Sale, curated by Kenny Schachter, Flamingo East, 219 2nd Ave., New York.
Resurrections, The William Benton Museum of Art, University of Connecticut at Storrs, Storrs.
1920: The Subtlety of Subversion, The Continuity of Intervention, curated by Jeanette Ingberman and Papo Colo Exit Art, New York.
Four Walls Benefit, David Zwirner Gallery, New York.
I Was Born Like This, curated by Kenny Schachter, 238 Mulberry Street, New York.
High, curated by Kenny Schachter, Flamingo East, 219 2nd Ave., New York.
Simply Made in America, curated by Barry Rosenberg, Aldrich Museum of Contemporary Art, Ridgefield; Contemporary Arts Center, Cincinnati; Butler Institute of American Art, Youngston; Palm Beach Community College of Art, Palm Beach; Delaware Art Museum, Wilmington.
Morality Café, curated by Kenny Schachter, Postmasters Gallery, New York.
The Lesbian Museum: Ten Thousand Years of Penius Envy, Franklin Furnace, New York.
7 Rooms/7 Shows, curated by Kenny Schachter, P.S. 1 Contemporary Art Center, Long Island City.
Unlearning, curated by Kenny Schachter, 142 Greene Street, New York Ego Show, Minor Injury, Brooklyn.
Open Bar, curated by Kenny Schachter, Flamingo East, 219 2nd Ave., New York.
The Neurotic Art Show, Four Walls Gallery, Brooklyn.
Collections, Brand Name Damages, 201 Bedford Ave., Brooklyn.
Habitat, AMMO Artist's Exhibition Space, Brooklyn.
The Rights of Spring, curated by Rachel Stevens, Epoche Gallery, Brooklyn.